
Josef Albers drew this stencil sanserif form at the Bauhaus in 1926; Paul Renner and the Bauer design office made it into a typeface in 1929, and included it in the Futura series.
Tags
1920 , 1920s , 1930 , Art Deco , bauhaus , black , counterless , decorative , engraving , fast , formal , FRINTON-STENCIL , geometric , german , heavy , lined , masculine , modern , modest , no counter , no counters , poster , primitive , sans-serif , shaped rules , static , stencil , swiss , technical , ultra-black
Languages
Typographies
Styles
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1LDJ Exhibit™ Font
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2Ballantines Script EF™ Font
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3Gentona Font
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4Pona Display Font
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5Engranajes™ Font
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6Moda Font
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7Stellar Classic SG™ Font
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8EF Elysa Font
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9Tenison Font
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10Circumactio Font
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11Mittwoch™ Font
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12Metropolitan Poster Black Font
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13Retrofit Font
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14English Garden SG Font
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15Galadriel Font
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16Bettendorff Font
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17Edison Swirl SG™ Font
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18TILT Font
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19EF Splitter™ Font
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20Terfens™ Font
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1Cruz Cantera™ Font
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2Stingwire™ Font
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3Stencil™ Font
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4Goudy Catalogue™ Font
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5Drescher Grotesk™ Font
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6Umbra Font
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7Swiss 721™ Font
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8Goudy Heavyface™ Font
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9Industrial 736 Font
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10Liorah™ Font
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11Oranda™ Font
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12Davida™ Font
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13Carmina BT™ Font
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14Humanist Slabserif 712 Font
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15Cheltenham™ Font
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16Maximus™ Font
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17Davida™ Font
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18Bodoni Font
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19Prima Sans Font
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20Chianti BT WGL4™ Font